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PRINTS - ENGRAVING - ETCHINGS - LITHOGRAPHS |
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BECAUSE WE RUN OUT OF TIME TO TRANSLATE, YOU'LL FIND MANY MORE OBJECTS IN OUR FRENCH LANGUAGE PAGE : |
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Jacques CALLOT (1592-1635) - 1st STATE ETCHING - LA CONVERSION DE SAINT PAUL Jacques CALLOT (1592-1635) - St-Paul's conversion First state etching (référence: Lieure 676) - Published in Nancy between 1622 and 1629 Red stamp at the right top of the engraving Etching dimensions : circa 10,7 cm by 8 Dimensions with frame: 21 cm by 18 Little tear at the very right bottom Note : From the sky, a sunbeam contains this inscription : "SAVLE SAVLE QVID ME PERSEQVERIS" 2 Knowns states : 1st state: It is the one described here, and that we are selling. In the 2nd state, was added, at the right bottom, the mention:. "Callot fe.", and in the margin : "Totus Iesus in Paulo consumptus est. Chrysost. // Iesus-Christ s'est employé tout entier en ce mystere. // Israel ex. cum priuil. Reg." Référence(s) : Recherches sur la vie et les ouvrages de Jacques Callot suite au Peintre-graveur français de M. Robert-Dumesnil / by Edouard Meaume, Paris, 1860, n° 97 = Meaume, 97. - Jacques Callot : catalogue raisonné de l'oeuvre gravé / by J. Lieure, Paris, 1924-1929, Callot n° 676 = Lieure, 676. - Inventaire du fonds français, graveurs du XVIIe siècle, Tome II, Boulanger (Jean) - Chauveau (François) / by Roger-Armand Weigert, Paris : Bibliothèque nationale, 1951, Callot n° 676 = IFF17 Callot, 676.
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PIETER II DE JODE AFTER VAN DYCK " RENAUD INTO ARMIDE'S LAP" 1644
Pieter II DE JODE (1606-c.1674) (Engraver) a ccording to Anthonius VAN DYCK (1599-1641)" Renaud in Armide's lap " Etching on copper, dated 1644. Size : 62 cm x 41 Laid paper and watermark (see photo) Wears 1st state Listed Hollstein 340 Armide. - Imaginary figure of the Jerusalem
delivered from the Tasse. It was an enchantress
, alliance of beauty and seduction. During a
long time, she kept Renaud, the bravest of the
Crusaders in her feerical gardens . Van Dyck had been keeping contact with english court, from his first stay, and he had been helping king Charles' agents about their research of artworks. He also had been sending some of his works, whom a self-portrait, representing himself with the diplomat Endymion Porter (1623), a portrait of a king's agent, a mythologic canvas of Renaud and Armide (1629)1629-1632 : " Renaud and Armide's loving ", keeped at Musée du Louvre, in Paris
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POSTER ' DESPIAU ET SES AMIS ' - EXHIBIT FROM CERCLE VOLNEY IN 1949
It was realised in 1949 by Perceval, for the exhibition at Cercle Volney, from june 14 to july 1949. Very rare document, which presents the poster, and the poster before the printing of the mentions. These two representations are on the same sheet. Size: 31,50 inches by 25,79 inches. (80 cm by 60). Good condition, with no
laks
, no wear, no tears. We report
some
creasing on the central folding,
a light creasing on the right side, two erasable
stains at the bottom, and an erasable insciption
in pencil in the bottom right-hand corner.
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MOUNTED LITHOGRAPH POSTER - PRINTER : MOURLOT - CENT OEUVRES DE GAUGUIN - GALERIE CHARMENTIER - PARIS 1960 Mounted lithograph poster, by the famous parisian printer Mourlot. It is titled Cent oeuvres de Gauguin (One hundred works by Gauguin). It as realised for the exhibit of the artist's artworks at the parisian galery Charpentier, located 76 Faubourg St-Honoré, Paris 8ème. The poster dates from 1960. It is mounted. Fernand Mourlot was a very famous parisian printer lithographer. He was born in Paris on april 5th, 1895, and died on december 4th, 1988. This poster is in very good condition Size : 30,90 inches by 18,90 inches (78,5 cm by 48 cm).
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LITHOGRAPH POSTER BY MOURLOT - DE L'IMPRESSIONNISME A NOS JOURS MUSEE NATIONAL D'ART MODERNE DE PARIS - 1958 Lithograph poster by Fernand Mourlot, in Paris, titled ' De l'impressionnisme à nos jours'. It was realised for the exhibit at the Musée National d'Art Moderne de Paris (Paris Modern Art National Museum), located Avenue du Président Wilson, in Paris. The poster portrays a naked young woman, artwork by Auguste Renoir and made in sepia pastel. It is subtitled 'Pastels aquarelles gouaches sculptures' (pastels watercolors gouaches sculptures). The exhibit took part from june 28 to october 30, 1958. This poster is in very good condition. Size : 29,14 inches by 19,29 inches (74 cm by 49)
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WATERCOLORED PERSPECTIVE VIEW FROM THE 18th CENTURY - MEUDON CASTLE VIEW
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PERSPECTIVE VIEW WITH FRAME - VIEW OF AUGSBOURG FROM THE MOAT - 18th CENTURY
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LITHOGRAPHS CONSPIRATIONNISTE - THE PACT OF
FAMINE - PUBLISHED BY DOPTER RUE ST-JACQUES IN
PARIS Story
of the rumor of conspiracy called « Pacte de
famine ». The
drama wanted that this try of liberalisation
coincided with bad harvests: the prices,
henceforth free, ascended. The poorest could not
feed any longer. The implicit pact between the
king and the populace, which requires from the
king that he takes care of the security of his
subjects, and of their procurement for feeding,
was interupted. A large unrest ensues, and this
try ended: The prices were determined by the
king again. This thesis of conspiracy between
the royalty and the liberal speculators, will
resurface during the revolution. The awful famines
which desolated France were attributed to these
hoarders, mainly during the years 1767-1769,
1775-1778, 1788-1789. The revolution, making
disappear the monarchic regime, made the rumor
to disappear in the same time. However, the
Convention regime prefered to adopt, in 1793, a
law prohibiting speculation on the essentials
commodities
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EMILIO GRAU-SALA - LITHOGRAPH - HORS COMMERCE - THE YOUNG GIRLS AND THE BIRD
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ORIGINAL ENGRAVING SIGNED GASTON HOFFMANN - BORN IN 1883- TITLED "UN AMATEUR" Hand signed in pencil. Dimensions of the sheet: 12,40 inches by 17,90 in - (31.5 cm by 45,5). Mention in the top left -hand corner : " Copyright by Ch Ducher & Cie - 35 , Av de l'Opera Paris n° 573 " Humorous and caricatural engraving : A doctor, called at the chevet of an ill man, neglects totally his patient, paying all his attention to a painting exhibited in the leaving room, whose he seems to be absorbed by the least details. Engraving non cut, with its marges. Very good condition.
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Humoristic scene titled 'Route de Poissy' (Road of Poissy), featuring two personages, one really thin, his pipe in the mouth, and the other, paunchy, riding a horse on the road of Poissy. Mentions at the bottom of the sheet : " drawed by Crle Vernet " - " engraved by Debucourt " " A Paris chez l'auteur Boulevard St Denis n°3 " - " et chez Ch Bance rue J.J Rousseau n°10 " . It is in good condition without tears, with its margins. Frame of veneer , absence of glass. Measures of the sheet, circa: 13,78 inches by 16,55 in - (35cm by 42) Measures including the frame : 19,70 inches by 24 in - (50 cm by 61) Weight: 900 grams
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ENGRAVING IN AQUATINTE BY Henry ALKEN - THE FOAL - EARLY 19 th CENTURYEnglish engraving in aquatinte, by Henry Thomas Alken (1785-1851), from the early 19th century. It presents a scene of an english agrarian domain, where four personages of the high society are admiring a foal from the hara, thinking about future horse racing. Engraving subtitled "THE FOAL" from the serie titled "THE HIGH METTLED RACER" Engraved by Henry Alken and Thomas SUTHERLAND (1785-1820) According to a painting or a drawing by Henry Thomas ALKEN (1785-1851) The engraving was published in London, on the 1st of march 1821, by S. et J. Fuller, à la Sporting Gallery, 34 Rathbone Place Mentions at the bottom of the sheet: " London published march 1st 1821 by S. & J. Fuller, at their Sporting Gallery, 34 Rathbone Place " " H. Alken. Delt " - " H. Alken & T. Sutherland. Sculpt " Engraving from the time, presented in a frame, and under a glass of protection, dating from the origin. Condition of preservation of the engraving : Foxing Dimensions of the sheet, circa : 14,17 inches by 16,75 in - (36 cm by 45) Total dimensions: 17,32 inches by 20,86 in - (44 cm by 53) Weight: 2.300 grams
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ENGRAVING IN AQUATINTE BY Henry ALKEN - THE HUNTER - EARLY 19th - YEAR 1821 English engraving in aquatinte, by Henry Thomas Alken (1785-1851), from the early 19th centuury. It features a scene of hunting with hounds in the english countryside, two horsemen in the foreground, other in the background riding in the small valleys Engraving untitled "THE HUNTER" from the serie "THE HIGH METTLED RACER" Engraved by Henry Alken and Thomas SUTHERLAND (1785-1820) according to a pictural work by Henry Thomas ALKEN (1785-1851) The engraving was published in London, in march 1821, the 1st, by S. et J. Fuller, at the Sporting Gallery, 34 Rathbone Place Mentions at the bottom of the sheet : " London published march 1st 1821 by S. & J. Fuller, at their Sporting Gallery, 34 Rathbone Place " " H. Alken. Delt " - " H. Alken & T. Sutherland. Sculpt " Engraving from the origin, presented in a frame and under a glass of protection, from the origin aswell. Condition of preservation of the engraving : Foxing Dimensions of the sheet, circa : 14,25 inches by 17,75 in - (36 cm by 45) Total dimensions: 17,5 inches by 21 in - (44 cm by 53) Weight: 2.300 grams
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ENGRAVING FROM THE 18th C BY J. LE BAS - ACCORDING TO J.B OUDRY - TESTAMENT EXPLAINED BY ESOPE Engraving from the second half of the 18th century, between 1755 and 1760, by Jacques Philippe Le Bas (1707-1783), engraver, realised according to a pen and ink drawing by Jean-Baptiste Oudry (1686-1755), illustrating a fable by Jean de La Fontaine : " Testament expliqué par Esope " Publishers : Desaint et Saillant. Jean-Baptiste Oudry, pupil of Nicolas de Largillière, teaches at the Académie royale. He specializes as a painter of still life and as an animalist painter. In 1734, he becomes director of the Manufacture de Beauvais and will keep there as the artistic director. He prepares the plaques sheets for the upholsteries and takes care of their faithful execution. In 1736, he's promoted inspector of the Manufacture des Gobelins, where he'll lead the ambitious project of the serie of nine plaques about the Chasses royales de Louis XV Oudry draws these plaques of illustrations of the fables by La Fontaine between 1729 and 1734. These are drawings with pen and paintbrush, in black ink and lavis, with highlights of white in gouache, of around 11,75 inches by 10 in (30 cm by25). He sells them circa 1751 to the art lover Montenault who makes them redraw by Cochin, for make them apt to the engraving, by an entire team of engravers. The prestigious edition, in 4 volumes, between 1755 and 1760, is issued from the presses of the editors Desaint and Saillant The etching that we sell is well framed, and protected by a glass from the origin. It bears at the bottom of the sheet, the title : "Testament expliqué par Esope " (Testament explained by Esope) And the names of the designer and the engraver: "J.B. Oudry inv " - " J.Ph. Le Bas Sculpt " It is affected by a slight foxing. Dimensions including the frame: 15,75 inches by 12,60 in - (40 cm by 32) Dimensions of the sheet, circa: 11,81 inches by 9,84 in - (30 cm by 25 )
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ENGRAVING FROM THE 18th BY J. LE BAS - ACCORDING TO J.B OUDRY - LE VIEILLARD ET SES ENFANS - THE OLD MAN AND HIS CHILDREN Engraving from the second half of the 18th century, between 1755 and 1760, by Noël Le Mire (1724-30 ventôse An 9), engraver, realised according to a drawing with pen by Jean-Baptiste Oudry (1686-1755), illustrating a fable by Jean de La Fontaine : " Le vieillard et ses enfans - Fable LXXVIII " (The old man and his children) Editors Desaint and Saillant Jean-Baptiste Oudry, pupil of Nicolas de Largillière, teaches at the Académie royale. He specializes as painter of still life, and as an animalist painter. In 1734, he becomes director of the Manufacture de Beauvais and will stay there as the artictic director. He prepares his sheets for the upholsteries, and takes care of their faithful execution. In 1736, he is promoted inspector of the Manufacture des Gobelins, where he'll lead to its final the ambitious project of the serie of nine plaques about the Chasses royales de Louis XV. Oudry draws these sheets of illustrtion of the fables by La Fontaine between 1729 and 1734. These are drawings with pen and paintbrush, in black ink and 'lavis', with highlights of gouache in white, measuring around 11,75 inches by 10 in - (30 cm by 25). He sells them around 1751 to the art lover Montenault, who made them redraw by Cochin, to make them apt for the engraving, by an entire team of engravers. The prestigious edition in 4 volumes, between 1755 and 1760, is issued from the presses of the editors Desaint and SaillantThe engraving that we sell is well framed, and protected under a glass of protection. It comports at the botom of the sheet, its title : "Le vieillard et ses enfans" (the old man and his children). And the names of the designer and the engraver : "J.B. Oudry inv " - " Noël Le Mire sculpt " It is affected by a slight foxing Dimensions including the frame: 15,75 inches by 12,60 in - (40 cm by 32) Dimensions of the sheet,circa: 11,81 inches by 9,84 in - (30 cm by 25 )
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ENGRAVING BY OBERLIN ACCORDING TO A. DE NEUVILLE - INFANTRYMAN FROM THE WAR OF 1870 Engraving by Eugène Oberlin, drawer and engraver, realised according to an ink and pen drawing by Alphonse Marie Adolphe De Neuville (1835-1885). and featuring a french foot soldier from the war of 1870. This one wears many military medals. The drawing is signed A. De Neuville and is dated from the year 1877. The sheet comports a dedicace, with pencil, by Eugène Oberlin himself. Dimensions of the sheet, circa: 10,63 inches by 7,09 in - (27 cm by 18) The engraving is presented in a frame, under a glass of protection. Dimensions : 18,50 inches by 15,16 in - (46.5 cm by 38.5) Weight: 2.200 grams
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' STAMP
Lithograph by Hans Erni, artist's print signed with crayon at the right bottom, and having on Pierre de Tartas's stamp It represents an artist's interpretation about Thésée and the minotaur theme Thésée is indeed into the labyrinth, and equiped with a sword, is just going to kill a taurus mounted by Ariane On the right side, we can see the tutelar figure of Karl Marx
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EDOUARD TRAVIES (1809-1869) - LITHOGRAPH FROM THE 19th - THE RED PARTRIDGE - PRINTER : LEMERCIER IN PARIS Lithograph by the printer Lemercier, according to a work by Edouard Travies, titled 'La perdrix rouge, la vénerie, souvenirs de chasse', which means : the red partridge, hunting memories. Mentions at the bottom of the sheet : 'Paris , BERRIEUX , rue de Rivoli36 prés de l'Hotel de Ville' 'London, E. GAMBART et cie 25 Berners St Oxford St' Size : 24,41 inches by 17,72 inches (62 cm by 45). This lithograph is presented in a wood frame, under a protection glass. Edouard Traviès was very soon known as one of the best animalist painters from his time. As such, many works had been ordered to him , many drawings in order to illustrate books about hunting, or about natural sciences. Among these books, let's especially cite the 14 volumes of 'the natural history', by Buffon, once again reissued in1848, just as the universal dictionary of the natural history by Charles d'Orbigny in 1849. Edouard Traviès is still famous for his outstanding still-lifes featuring the hunting birds.
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SALVADOR DALI - HORSEMEN FIGHT - AQUATINT LITHOGRAPH - 1970-1971
Lithograph sign ed with crayon by Salvador Dali representing a horsemen fight, a joustColored aquatint, 1970-71.Dimensons : 52 cm by 33 (13x20 1/2 inches ) Lithograph dimensions : 64 cm by 46 Total dimensions of the frame : 85 cm by 72 Print number: 174 / 250 copies Signed with crayon, in the lower margin. “La vida es sueño” (or “life is a dream”) Calderon de la Barca Catalog of the lithographic works by Salvador DALI : Michler / Löpsinger516; Champ 73-1 J. Présen ted in a beautiful frame , protected by a glass
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PLANISPHERE CELESTE MERIDIONAL - GRAVURE AQUARELLEE début 18ème Année 1705 Fait par Monsieur De La Hire, Professeur Royal et de l'Académie des Sciences Mis à jour par N. De Fer, Géographe de Monseigneur le Dauphin. N. De Fer dans l'Isle du Palais sur le Quay de l'Horloge à la Sphère Royale Avec privilège du Roy , 1705 Van Loon Sculpteur. Dimensions à vue 47 cm sur 47 . Superbe état des couleurs. Marque centrale verticale de pliure Dimensions cadre compris: 65 cm sur 65 . Poids : 3.5 kgs
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GRAVURE AQUARELLEE DE LA FONTAINE D'ALIANCE DE STRASBOURG - GRAVEUR SIMON - ANNEE 1810 E. SIMON à Strasbourg graveur, La fontaine d'Alliance à Strasbourg. Gravure rehaussée à l'aquarelle, sur papier vergé, début XIXe, datée 1810. Gravure aquarellée de E. Simon, sculpteur, représentant la Fontaine d'Alliance de Strasbourg. Epoque tout début 19ème, vers 1810. Planche 28 cm sur 48 , en très bel état de fraîcheur , avec sa cuvette, et sans déchirures ni rousseurs. "Vue de la fontaine d'alliance, élevée à Strasbourg en face du Palais Impérial lors de l'arrivée de Sa Majesté Marie-Louise Archiduchesse d'Autriche, Impératrice des Français et Reine d'Italie, le 22 mars 1810 et pour célébrer la Journée du 23, où Sa Majesté a assisté à la fête qui lui a été présentée par Monsieur le Préfet, Mr le Maire et MMes les Membres du Conseil Municipal de la Ville; Dédié à son altesse sérénissime Monseigneur le Prince de Vagram et de Neuchatel, vice Connetable de France et Maréchal d'Empire &&, par son très humble et très obéissant serviteur Boudhors père Ingénieur ordinaire des Ponts et Chaussées Architecte de la Ville de Strasbourg"
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FOUJITA TSUGUHARU (1896-1968) JEUNE FILLE AU BONNET EXCEPTIONNELLE lithographie en noir sur papier Japon teinté bleu, signée dans la planche et contre signée, numérotée III/XX, 49,5 x 32 cm, référencée dans le catalogue par Sylvain Buisson II, sous le n°57.128
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CELUI QUI DIT LES CHOSES SANS RIEN DIRE - MARC CHAGALL - GRAVURE AQUATINTE ORIGINALE - 1975 Gravure et aquatinte originale imprimée sur papier Arches, épreuve non signée provenant d'une suite du livre "celui qui dit les choses sans rien dire" de Louis Aragon, 1975. Tirage total du livre à 225 exemplaires. Imprimeur : Lacourière et Frélaut. Editeur : Cramer. Dimensions du papier : 47 X 35 cm. Dimensions de la gravure : 39.5 X 29.5 cm Référencée dans le catalogue raisonné de Bruno CRAMER sous le n°99
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GRAVURE AQUARELLEE BOTANIQUE DE BASILIUS BESLER - ANNEE 1613 Gravure aquarellée de 1613 par Besler, Basilius (illus). Titrée : Antora. Napellus flos. variegata. Napellus Arborescens. Gravure (avec sa cuvette) de 50 x 40 cm , marouflée sur carton. La plaque présente trois variétés du genre Antora. Napellus flos. variegata. Napellus Arborescens. L'auteur, Basilius Besler (1561-1629), était un apothicaire et botaniste de Nuremberg. Ce travail a été réalisé en 1613 et trois cents exemplaires ont été tirés. Cette planche fait partie d'un ensemble botanique décrivant les jardins de Johann Konrad von Gemmingen, prince-évêque de Eichstätt.
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TRESCA - GRAVURE
DIRECTOIRE EROTIQUE - POINT DE CONVENTION 1797 -
UNE PROSTITUEE Point de convention, Gravure érotique d'époque Directoire, fin 18ème, de Salvatore Tresca (1750-1815), artiste sicilien né à Palerme et établi à Paris. En 1788 il grave « divers sujets à la manière pointillée anglaise » (Histoire de l'art pendant la Révolution 1789-1804 par Jules Renouvier et Anatole de Montaiglon, 1863). Il est à l'origine de plusieurs estampes caricaturant des incroyables, la plupart signées « Tresca sculp. » : Les Croyables au Peron, Les Croyables au tripot, Point de convention, NOUS VENDONS "POINT DE CONVENTION" , gravure rehaussée en parfait état. Une MERVEILLEUSE est accostée par un MUSCADIN. La dame négocie ses charmes. Charmante scène de prostitution, telle qu'elle se pratiquait couramment et en toute innocence au Palais Royal à l'époque, entre gens de bien. A vue: 34 x 30 cm Cadre compris : 57 x 53 cm Poids 2.100 gr
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SALVATORE TRESCA - GRAVURE DIRETOIRE LES CROYABLES AU PERON La satire sociale; trois hommes, l'un vêtu d'une hauteur de la mode extravagante, avec la canne et boucles d'oreilles d'or, tenant des papiers portant la mention «Mandat compéti" à l'autre, avec un foulard grande, canne, cheveux longs et un chapeau à glands avec une cocarde tricolore, qui a des pièces dans sa main; un pickpocket avec un bonnet phrygien et l'expression farouche vole un mouchoir de la poche du premier homme. 24 Juin 1797 Les Croyables, au Péron : [estampe] / Tresca sculp. présente à la BNF 1797 Par : Salvatore (1750?-1815). Graveur Tresca Mots-Clés : Incroyables et Merveilleuses, Escrocs et escroqueries, Un incroyable habit entre-ouvert, (Gravure de Tresca, les croyables au perron, Bibliothèque nationale) à vue: 34 x 30 cms cadre compris : 57 x 53 cms poids 2.100 grs Très bon état . Ne pas tenir compte des blancheurs sur les photos, il s'agit des reflets de vitre malheureusement incontournables lors des prises de vue.
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SUITE DE QUATRE GRAVURES
17ème DE 1er TIRAGE - DESSINEES PAR PERELLE ET
GRAVEES PAR AUBERT . Elles figurent 4 SCENES DE PORT où les hommes s'activent à la réparation ou au chargement des bateaux. Alentours, de somptueuses compositions de villes fantastiques ruiniformes, noyées de végétation, dans l'esprit du Piranesi et du baroquisme ambiant. A l'arrière plan, des montagnes escarpées ferment les baies maritimes. Gabriel PERELLE (c.1603-1677) Mention : " A Paris chez la V.e de François Chereau Re St-Jacques au 2. Pilliers d'or " - V.e pou abréviation de veuve Signé : Perelle delinavit - Aubert sculpt - Dimensions à vue: chaque petite gravure mesure 10 cm sur 16 L'encadrement comprenant les 4 gravures mesure 29cm sur 42 Etat de conservation : les 4 gravures ont leur cuvette, pas de déchirures , ni mouillures, arrachement ou insolation. Mais il y a des rousseurs réparties, et une gravure présente de légères pliures Poids: 850 grs
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GRAVURE 17ème DE 1er
TIRAGE SIGNEE PERELLE - PAYSAGE DE RUINES
ANIMEES Figure un paysage de ruines noyées dans une végétation abondante qui prend la plus belle part de la composition. Ce paysage est animé de personnages, un couple et un enfant, des cavaliers. L' auteur, PERELLE , est reconnu pour être un des meileurs graveurs de son temps, Composition, fort bien arrangée, soin dans l'exécution des détails, profondeur des plans magnifiquement rendue. Très bel encadrement. Signé et "brevet avec privilège" Gravure en très bel état. Ancien encadrement de très belle qualité signé de la galerie CARDO , 61 avenue Kleber 16° Paris Dimensions à vue: 22cm x 19.5 Cadre compris: 27cm x30 Poids: 850 grs
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| GRANDE AFFICHE LITHOGRAPHIQUE POUR L'EXPOSITION RAOUL DUFY AU MUSEE TOULOUSE LAUTREC à ALBI L'affiche a été réalisée PAR LE LITHOGRAPHE MOURLOT A PARIS pour l'exposition du 4 juillet au 18 septembre 1955. Dimensions : 73.5cm sur 52 Bon état sans taches ni pliures . Trous de punaises aux coins. Référencée dans les affiches de l'imprimerie MOURLOT
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| GRAVURE 17ème 1er TIRAGE DE PERELLE - PAYSAGE
ANIME dim 12 x 13cm |
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